| | Voodoo Glow Skulls Baile De Los Locos CD Voodoo Glow Skulls Discography of CDs
BAILE DE LOS LOCOS, the second Epitaph release from ska-punk veterans the Voodoo Glow Skulls, is one of the band's most focused expressions of its funky, horn-and-guitar-fueled musical stew. The sound suggests the Mighty Mighty Bosstones grafted ... Full Descriptionover a wall of more aggressive solid-state guitar reminiscent of such West Coast brethren as Suicidal Tendencies. But for all the roiling guitars and churning drums on BAILE DE LOS LOCOS, the concentration of infectious horn hooks maintains an upbeat, innocuous party-like vibe.
BAILE DE LOS LOCOS sports such adolescent-sounding titles as "Freeballin'" and "Elephantitis." Three of the songs are sung in Spanish, and there's even a cover of "Feliz Navidad." Frank Casillas growls his vocals throughout. On "The Kids Will Have to Play," he proudly proclaims that "we've been this way since 1988." And BAILE DE LOS LOCOS proves that the party isn't about to end anytime soon for the Voodoo Glow Skulls.
Recorded at Paramount Studios, Hollywood, California.
Voodoo Glow Skulls: Frank (vocals); Eddie (guitar, background vocals); Jorge (bass, background vocals); Joey (saxophone); Joe (trumpet); Brodie (trombone); Jerry "Strombo" (drums, percussion).
Additional Personnel: Dave Mello (clarinet); Jim Goodwin (Mellotron, organ, walkie talkie).
CD Single
Hide Description Baile De Los Locos Music | List Price | $12.97 (You save $2.98) | | Category | Rock/Pop Albums, Rock CDs, Alternative, Reggae/Ska/Calypso, Punk, Ska | | Label | Epitaph | | Orig Year | 1997 | | All Time Sales Rank |  47891  | | CD Universe Part number | 1060579 | | Catalog number | 86492 | | Discs | 1 | | Release Date | May 06, 1997 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jim Goodwin | | Engineer | Jim Goodwin | | Personnel | JOE - trumpet
Frank - vocals
Eddie - guitar, background vocals
Jorge - bass, background vocals
Brodie - trombone
Jerry - drums, percussion
Also: Dave Mello, Jim Goodwin |
Voodoo Glow Skulls Baile De Los Locos Songs Baile De Los Locos Review
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Purchase Baile De Los Locos CD To buy, Click on price to add to cart | Suicide Machines Destruction By Definition CD (1996)
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There's a saying that there can never be too much of a good thing, and Rancid could've coined the phrase. Their irresistible old-school punk and their ska-in-the-garage guitar sound are sure to please anyone who thought the Clash were the best that '70s punk had to offer.
Yet, considering their loyalty to the original punk aesthetic, Rancid sound surprisingly fresh. ...AND OUT COME THE WOLVES proves the band knows their fans and can still live by their causes. They're self-proclaimed "Roots Radicals," but this is a '90s band. "Lock, Stop, And Gone" is crammed with details of modern L.A., where there's "a fire on the corner and it's never gonna stop" and where "the killer in the neighborhood never got caught." There's also bewilderment at the fact that the punk that was sure to keep them on the fringes is a high-profile career now--"too much attention unavoidably destroyed us," they claim on "Journey To The End Of East Bay."
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Includes liner notes by Rob Partridge, Rita Marley, Derrick Morgan, John "Rabbit" Bundrick and Timothy White.
During his all-too brief life, Bob Marley established himself as one of the giants of modern music; he stands on par with the likes of Miles Davis and Bob Dylan, performers who took established musical forms and revolutionized them, who continually evolved their vision throughout their careers. From his first single, the bouncy "Judge Not," through a loose, live rendition of the haunting "Redemption Song" performed at his last stage appearance, SONGS OF FREEDOM documents Bob Marley's musical legacy better than any previous compilation, and probably, better than any likely to come.
Marley was at his peak at the time of his death in 1981, meaning there is no filler or weak material here, only four solid discs of great songs. His philosophical evolution is easily seen: listen to a rude-boy anthem, like the early hit "Simmer Down," next to a later exploration of Rastafarianism, such as "Crazy Baldheads," and eventual statements of pan-Africanism in songs like "Zimbabwe" and "Africa Unite." Musically, Marley's music expanded just as far. He utilizes Stylistics-like harmonies on "High Tide Or Low Tide," incorporates early-80's R&B into the sound of "Could You Be Loved," and even throws a basic blues shuffle into the alternate mix of "Three Little Birds."
SONGS OF FREEDOM is exhaustive and beautifully packaged. It is loaded with previously unreleased material, songs from the Ska years, the late-60's Lee Perry productions, and all of the highlights of the Island years. There are extended versions of famous singles like "Exodus" and "Jammin'" so that we can hear dub aspects of the music that only Jamaicans and hardcore fans were previously aware of.
Outside Jamaica, reggae begins and ends with Bob Marley. SONGS OF FREEDOM goes a long way to explain why.
Engineers include: Lee Perry, Carlton Lee, Alex Sadkin.
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16 dixieland cuts 1980-82
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