| | Buffalo Springfield CD Buffalo Springfield Discography of CDs
 (5 Customer Reviews)
This 24-track reissue features the album's original track lineup, including "Baby Don't Scold Me," in mono, followed by the more well-known revised lineup, featuring the single "For What It's Worth" in place of "Baby Don't Scold Me," in stereo.
All tracks have been digitally remastered using HDCD technology.
Like the Byrds, Buffalo Springfield were influential in the melding of rock and folk that led to the country-rock sound of the '70s. Neil Young and Stephen Stills were the main singers/songwriters, constantly battling for creative control of the group. From this tempestuous union came melodic rock that ranged from Young's waltz-flavored "Nowadays Clancy Can't Even Sing" and the Beatlesque "Burned" (featuring Young's piano playing) to Stills' muscular guitar style on "Leave," which foreshadowed his subsequent work with Crosby, Stills & Nash. Fame came by way of Stills' "For What It's Worth," a moody song about a cops-versus-kids conflict on Sunset Boulevard. Two turbulent years and two albums later, Buffalo Springfield broke up, but they'd already blazed the trail for their disciples to follow.
Like the Byrds, Buffalo Springfield were influential in the melding of rock and folk that led to the country-rock sound of the 1970s. Neil Young and Stephen Stills were the main singers/songwriters, constantly battling for creative control of the group. From this tempestuous union came melodic rock that ranged from Young's waltz-flavored "Nowadays Clancy Can't Even Sing" and the Beatlesque "Burned" (featuring Young's piano playing) to Stills' muscular guitar style on "Leave," which foreshadowed his subsequent work with Crosby, Stills & Nash. Fame came by way of Stills' "For What It's Worth," a moody song about police brutality at a student protest on Sunset Boulevard. Two turbulent years and two albums later, Buffalo Springfield broke up, but they'd already blazed the trail for their disciples to follow.
Live Recording
Recorded at Gold-Star Studios and Columbia Studios, Hollywood, California.
Buffalo Springfield: Neil Young (vocals, guitar, piano); Stephen Stills, Richie Furay (vocals, guitar); Bruce Palmer (bass); Dewey Martin (drums).
Personnel: Neil Young (vocals, guitar, harmonica, piano); Stephen Stills (vocals, guitar, keyboards); Douglas Hastings, Richie Furay (vocals, guitar); Jim Messina (vocals); Steve Stills (guitar); Bruce Palmer (bass guitar); Dewey Martin (drums).
Audio Mixers: Brian Stone; Buffalo Springfield; Charles Greene.
Audio Remasterers: Neil Young; Stephen Stills.
Recording information: Columbia Studios, Hollywood, CA; Gold-Star Studios, Hollywood, CA.
Photographers: Ivan Nagy; Henry Diltz.Goldmine - "...sounds better than ever, commendable mastering..." Buffalo Springfield Music | List Price | $7.98 (You save $1.99) | | Category | Rock Albums, Pop CDs, Rock/Pop, Folk Rock, Country Rock, Oldies Collections | | Label | Atco | | Orig Year | 1966 | | All Time Sales Rank |  6206  | | CD Universe Part number | 1096797 | | Catalog number | 33200 | | Discs | 1 | | Release Date | Oct 03, 1989 | | Studio/Live | Studio | | Mono/Stereo | Mono | | Producer | Brian Stone; Charles Greene | | Engineer | "Doc" Siegel; Tom May | | Recording Time | 35 minutes | | Personnel | Neil Young - vocals, guitar, piano
Stephen Stills - vocals, guitar, keyboards
Steve Stills - guitar
Jim Messina - vocals
Richie Furay - vocals, guitar
Bruce Palmer - bass
Dewey Martin - drums
Douglas Hastings
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Buffalo Springfield Songs Buffalo Springfield Music Review Purchase Buffalo Springfield CD To buy, Click on price to add to cart | Buffalo Springfield Again CD (1967)
Buffalo Springfield album
 $6.05   
All tracks have been digitally remastered using HDCD technology.
In retrospect, it's hard to believe that Buffalo Springfield could not only top their debut album, but that they'd do it within a year. AGAIN clearly states the band's case as a rootsy American Beatles to rival folk-rock kings the Byrds.
Singer-songwriters Steve Stills and Neil Young were firing on all cylinders, Young moving easily from sharp-tongued acid rock ("Mr. Soul") to complex, artsong-like ballads (the epic "Broken Arrow"). Stills could shift on a dime as well, offering the hypnotic, jazzy waltz "Everydays" right alongside the celebratory "Rock & Roll Woman" and the RUBBER SOUL-influenced "Bluebird." Richie Furay gamely navigated the choppy seas between these two giants and penned some beautiful, ...
| | Crosby, Stills, and Nash Deja Vu CD (1970) Remastered
Buffalo Springfield CD music
$15.79 
Crosby, Still, and Nash topped their enormously popular self-titled 1969 debut by adding Neil Young to their ranks and expanding their stylistic and sonic range. The result, released in 1970, was an artistic and commercial success, representing the talents of the four primary players to excellent effect. More ambitious and incisive than its CSN predecessor, DEJA VU brings together folk, psychedelia, jazz, African, and Middle Eastern flavors, Tin Pan Alley, and hard rock in a manner that captures the tenor of the era's counterculture without sounding dated.
The group's distinctively lush harmonies are spread across the album, notably on the record's two centerpieces--"Carry On," which segues into a chugging, percussion-fueled groove halfway through, and "Woodstock," the band's hard rock re-working of the Joni Mitchell tune. Elsewhere, the songs are stamped by individual personalities, as on David Crosby's driving "Almost Cut My Hair," Graham Nash's quaint "Our House," and Stephen Stills dark, folky "4+20." Young's aching, ...
| | Buffalo Springfield Last Time Around CD (1968)
Buffalo Springfield music CDs
$6.09
All tracks have been digitally remastered using HDCD technology.
Although this album was made amid the fragmentation of Buffalo Springfield, that fact is not apparent in retrospect. On the contrary, there is an appealingly ...
| | Jimi Hendrix Electric Ladyland CD (1968)
Buffalo Springfield songs
$8.79
Principally recorded at the Record Plant, New York, New York in April and May 1968.
On ELECTRIC LADYLAND Jimi Hendrix stretched and experimented in the studio, going beyond the power-trio format on what would be his last studio album with the Experience. ELECTRIC LADYLAND was revolutionary in its scope and execution. Using New York City's Record Plant as a gateway to free expression, Hendrix traversed an abstract landscape containing compositions as weird and wonderful as "...And The Gods Made Love" and "1983...(A Merman I Should Turn To Be)."
Simultaneously looking forwards and backwards, Hendrix mixed in a song reminiscent of his time on the chitlin' circuit (Earl King's "Come On [Part 1]"), a Bob Dylan favorite ("All Along The Watchtower"), and one of his snappiest singles ("Crosstown Traffic"). Although Hendrix produced and wrote most of this masterpiece, others weighed in with their own contributions. Noel Redding penned "Little Miss Strange," and other guests such as Al Kooper and Buddy Miles showed up to play. Traffic's Steve Winwood and Jack Casady of Jefferson ...
| | VH1 Presents The Corrs: Live In Dublin CD (2002)
Buffalo Springfield album
$6.19
This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine."
Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout ...
| | Deep Purple Who Do We Think We Are CD (1973) Bonus Tracks; Remastered
Buffalo Springfield CD music
$10.45
After establishing itself as a hard-rock giant, thanks to endless touring and the release of such milestone records as MACHINE HEAD and IN ROCK, Deep Purple was in a state of turmoil when it went into the studio to record 1972's WHO DO WE THINK WE ARE? Despite all the infighting, the band pulled together long enough to record seven tracks that only bolstered the band's reputation.
The best-known song, "Woman From Tokyo," boasted a riff as memorable as the one that defined "Smoke on the Water" and was later admitted by Ritchie Blackmore to have been cribbed from Eric Clapton's "Cat Squirrel." Although Blackmore's always-impressive riffing stands out on such songs as "Mary Long" and "Place in Line," this album also spotlights how far Jon Lord's ...
| | Carnivals, Cotton Candy And You CD (2003)
Buffalo Springfield music CDs
$13.25
| | Patent Ochsner Gmues CD (1995)
Buffalo Springfield songs
$22.25
| | Danny Mainstreet Ban Bulletproof & Ignorant CD (2008) (Import) Import
Buffalo Springfield album
$27.89
| | Smithsonian Folkways: Classic African American Gospel CD (2008)
Buffalo Springfield CD music
$9.49
| | Whitecross Nineteen Eighty Seven CD (2008)
Buffalo Springfield music CDs
$15.19
| | Sheila Ross Baja Sways CD (2008)
Buffalo Springfield songs
$16.59
Sheila Ross was born 900 West End Ave. and 94th St. N.Y.C. to big band, (Georgie Auld, Skitch Henderson, Harry James and Benny Goodman), jazz saxophonist Adam Ross. Drove out west to be raised in North Hollywood in sunny southern California when Dad went to work for Capital records. There, among other things, he was responsible for the big hit Papa-Oo-Mow-Mow by the Rivington's and Grammy winner "Should I Surrender" sung by Doris Day as well as the rest of the music in her films with Rock Hudson. Sheila attended the usual art classes, ballet, and of course music lessons, but was well warned of getting involved in the music biz! She eventually fled north to fall in love with the great forests and snow capped mountains of Lake Tahoe where she taught skiing and started a career in design, particularly restaurants.... The retreat amongst the pines only brought her closer to the wonderful "family" of jazz musicians in the Reno-Tahoe area. She was able to sing with many of the finest, but the trio that stands out in her career was the late great pianist Ken Brown, with bassist Hans Halt and drummer Henry Ettman. For many years they played the "Cottonwood" every Saturday night.... "Some of my fondest memories are of sliding into that snowy front door with our equipment.... And at times escaping to the sunny beaches...."While on holiday in San Jose del Cabo, Baja California Sur, Mexico, she met many wonderful local musicians as well as musicians on holiday and began singing at the Cabo San Lucas Hotel whenever in town. On one fateful visit, she walked into a nightclub to sing a couple of tunes with friends and met club owner Carlos Resendiz. Carlos was called down by four of his friends to start the salsa club "Havana" the year before. But one by one they moved on to other things. Leaving Carlos and Sheila to while away the wee hours talking of bars and music. They now own the hottest jazz club in all of the Baja! Many musicians from all over the world play there including the likes of pianist Mike Melvoin, trumpet extraordinaire, Ingrid Jensen, guitarist ...
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