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Marcel Mule Quart / Romby / Saint-Saens / Schumann - Le Patron Of The Saxaphone, Encore! CD Cover Art
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Le Patron Of The Saxaphone, Encore! CD

 Marcel Mule Quart / Romby / Saint-Saens / Schumann CDS

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Category Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Classical Period, Character Piece, Variations, Quintet, Rhapsody, Minuet
Mule (Sax)/Romby (Pno) Marcel Mule Qt
Le Patron Of The Saxaphone, Encore! Music


Detailed Le Patron Of The Saxaphone, Encore! Music Information



List Price $21.97 (You save $4.02)
Label Clarinet Classics
Orig Year 6/1/1998
All Time Sales Rank   9708  
CD Universe Part number 1173361
Catalog number 21
Discs 1
Release Date Aug 12, 2000
Mono/Stereo Stereo
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Digitally remastered by Bob Norberg (Capitol Recording Studios, Hollywood, California). Capitol's Ultra Lounge series continues with in-depth profiles of some of the label's swinginest artists. Mrs. Miller: Wild Cool & Swingin features Miller's distinctive renditions of classics like "The Girl from Ipanema," "Yellow Submarine," "Moon River," "Monday Monday," "Bill Bailey (Won't You Please Come Home)" and more. ~ Heather Phares The greatest by California housewife Mrs. Elva Miller, the comical novelty act known for singing in her operatic voice over swingin' '60s mod grooves. 21 tracks, including 'The Girl From Ipanema', 'Let's Hang On', 'My Love' and 'Yellow Submarine'. All tracks have been digitally remastered using 20 bit technology. 1999 release. Includes liner notes by RJ Smith. This is part of Capitol's Wild, Cool & Swingin' series.
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Clarinetist Artie Shaw broke up his big band in late 1945 and, other than some studio recordings, was mostly inactive for a few years. In 1949 he returned to the scene in a surprising way, playing classical music for a week at New York's Bop City to mixed reviews. Later in the year he formed a bebop-oriented orchestra, but it was a commercial failure despite playing excellent music. He soon retired again, only returning during 1953-1954 when he led an excellent modern version of his Gramercy Five, his last group before his permanent retirement. The Artistry of Artie Shaw is comprised of some very rare material. Shaw is heard first on radio transcriptions from December 1949 leading a boppish version of his Gramercy Five that includes trumpeter Don Fagerquist and guitarist Jimmy Raney. Next are 12 selections, the majority of which are adaptations of themes from classical music. Shaw is heard with a jazz rhythm section, a string orchestra, and sometimes woodwinds, French horns, and the New Music String Quartet. This music has rarely ever been reissued and is worth a few close listens by fans of both Shaw and classical music. Completing this set are six selections from the 1953-1954 Gramercy Five with vibraphonist Joe Roland, guitarist Tal Farlow, and pianist Hank Jones that have not been reissued in recent times and differ from the performances put out by Music Masters. Throughout, Artie Shaw plays quite well and, particularly on the latter selections, shows that he had an awful lot left to contribute to the music world before his premature retirement. ~ Scott Yanow Recording information: Fine Sound Studios, Ney York City (03/11/1949-02/??/1954); Liederkranz Hall, New York, NY (03/11/1949-02/??/1954); NBC Studios, New York, NY (03/11/1949-02/??/1954). Photographer: Don Lanphere. Arranger: Alan Shulman. Personnel: Artie Shaw (clarinet); Alan Shulman (cello); Tommy Potter (baritone saxophone, double bass); Gil Barrios, Gil Barrios (piano); Arnold Fishkin, Dick Niveso
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