| | Nova Musica Brasileira CD - Import (1 Customer Review)
NOVA MUSICA BRASILEIRA is a 14-song collection of Brazilian artists performing their greatest hits. Featured artists include Luciano Mello, Jair Oliveira, Otto, Fernanda Porto, Simoninha, and Claudio Zoli.
Otto, Fernanda Porto, Claudio Zoli, Simoninha, Jair Oliveira, Luciana Mello singing their greatest hits. Nova Musica Brasileira Music Nova Musica Brasileira Songs | 1. | Bob - Otto |
| 2. | Sambassim - Dominguinhos |
| 3. | Noite de Prazer |
| 4. | Tudo Pra Ser Feliz - Totonho E Oscabra |
| 5. | E Isso que Da - Wilson Simoninha |
| 6. | Historia da Morena Nua que Abaleu as Estruturas de Esplendor Do Carnaval - Max De Castro |
| 7. | Sou Negrao - Rappin' Hood |
| 8. | Blunt of Judah - Nacao Zumbi |
| 9. | Defeito 3: Politicar - Tom Ze |
| 10. | Demais Pra Esquecer - Patricia Marx |
| 11. | Bom Dia, Anjo - Jair Oliveira |
| 12. | Assim que Se Faz - Luciana Mello |
| 13. | Livre Pra Volver - Pedro Mariano |
| 14. | Amor Errado - Fernanda Porto |
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Nova Musica Brasileira Music Review Purchase Nova Musica Brasileira CD To buy, Click on price to add to cart | Rodrigo Y Gabriela 11:11 CDs (2009) Digipak
Nova Musica Brasileira
 $11.85  
Audio Mixer: Colin Richardson.
Arranger: Rodrigo y Gabriela.
The very first moments of Rodrigo y Gabriela's sophomore effort, 11:11, hit the listener cold in the face, and not just because of the amazing guitar playing. Sure, it's there, but it's what anyone who heard the duo's astonishing debut would expect. No, it's the sound of the record: immediate, forceful, crystalline; it's in-your-face compelling and impossible to ignore. 11:11 features 11 new compositions, dedicated to 11 musical artists (not all guitarists, either) who have had an influence on the duo. Recorded in Ixtapa, Mexico, the set was self-produced with the exception of two cuts, which were co-produced with John Leckie. Throughout, Rodrigo y Gabriela showcase their metal chops as part and parcel of their Mexican guitar heritage. They've not simply melded the two, but have created an entirely different form of music for the acoustic guitar in the process. It's infectious ...
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Original score written by Ronan Hardiman.
This ...
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| | Fugees Blunted On Reality CD (1994)
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$5.95
Fugees (Tranzlator Crew): Wyclef, Lauryn (rap vocals); Prakazrel (rap vocals, guitar, bass).
Additional personnel: Levi, Mad Spider (vocals); Larry Stokes (guitar); Khalis Bayyan (saxophone, keyboards); Rashad Muhammad (bass, programming); Derrick Darling (drums); DJ Boy Wonder (scratches); Deejay Doc 4 (programming).
Producers include: Rashad Muhammad, Le Jam Productions, Inc., Brand X, Wyclef, Prakazrel, Khalis Bayyan.
Recorded at House of Music, Inc., West Orange, New Jersey.
Two years before their platinum-selling breakthrough, THE SCORE, the New Jersey trio also known as the Tranzlator Crew hit the scene with 18 decidedly harder boom-bap tracks built on high-energy shout raps. On bass-heavy and fevered drum-fueled cuts like "Nappy Heads," "Recharge," and "How Hard Is It?" Wyclef, Lauryn, and Pras let loose frantic tag-team flows reminiscent of early-'90s crews like Fu-Schnickens and Leaders of the New School, while the laidback, acoustic guitar-driven beat of "Vocab" and the dancehall-infused "Temple" would give inklings of the group's later direction.
Given the brilliance of The Score and the shortage of Fugees albums in the '90s, many fans probably sought out Blunted on Reality. After all, though the album pretty much disappeared as soon as it appeared back in early 1994, it was still the Fugees, and that was reason enough for many to seek it out. Those fans no doubt were a little shocked, though, by what they found. Yes, Blunted features Wyclef, Lauryn Hill, and Pras, but it's not quite the same trio that fans of The Score have come to know. Here they offer their take on rap circa 1993. However, rather than use rap as a starting point and depart from there into a myriad of other directions as they did on The Score, they used rap as a starting point and never depart, instead emulating the popular style of the era. In that sense, it comes across as a bit derived and undoubtedly confined by its stifled creative ambitions. If you think back, you'll probably remember 1993 as being the pinnacle of gangsta rap -- Dr. Dre's The Chronic was ubiquitous with not only its reach but also its influence, and Death Row was literally changing the game. If you keep this context in mind, it's a little easier to understand why Blunted on Reality ...
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$12.09 | | Bruder Man vs. Man CD (2009)
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$8.39
Bruder is a 2 piece, synth-driven, art-rock band. Sounds like The Flaming Lips meets Spoon meets Muse meets MGMT. Brothers-in-law Kayle Greiman and Daniel Matlach never set out to become a band. They had but one thing on their minds: escaping kitchen duties at family get-togethers. The two found themselves retreating into the Matlach’s basement-a solid concrete oasis where a keyboard and an old drum set entertained the stow-aways. This less than noble desire to evade domestic responsibilities eventually led to the formation of what they now call Bruder. Appropriately named, the German word “Bruder” translates into the English word “brother.” While sharing a family connection, these two come from entirely different musical backgrounds. Matlach’s background is one of formal musical education. The son of a high school band instructor, he was brought up fully submersed in the science of music theory. He became invested in music heavily through his college years, going on to graduate with a degree in musical composition. Proficient as he was on numerous instruments, Daniel found himself gravitating towards the piano. This affinity towards keys now plays an integral role as Daniel uses synthesizers to create the musical backbone of Bruder. Greiman’s resume however, reads much differently. There was very little formal education involved in his musical journey; he learned primarily by doing. Although drums were his first instrument, Kayle earned his stripes as a musician playing bass and singing in a touring rock band for the better part of ten years. Hard work and determination gained his trio two indie record deals and enough van-miles to render a U.S. Atlas worthless. Albeit a different journey, Greiman’s was one that ...
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