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This collection of tracks recorded by Brazilian singer Roberta Miranda features many of her popular songs including "O Pior Ja Passou."
Copilation of hits, recorded live. 14 tracks. Roberta Miranda Acustico Ao Vivo Songs | 1. | Majestade, O Sabia / Que Va a Luta |
| 2. | O Pior Ja Passou |
| 3. | Um Minuto a Mais |
| 4. | De Igual Pra Igual |
| 5. | Foi Voce Quem Quis |
| 6. | Vamos Falar de Nos |
| 7. | Eu Quero Sempre Mais |
| 8. | Ideal Pra Mim |
| 9. | Lembrancas |
| 10. | Sem Lado Esquerdo |
| 11. | Mais Uma Vez |
| 12. | Peao Do Mundo Inteiro |
| 13. | Meus Momentos |
| 14. | Va Com Deus |
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Purchase Acustico Ao Vivo CD To buy, Click on price to add to cart | Tomita - Snowflakes Are Dancing CD (2000)
Acustico Ao Vivo album
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The music of Claude Debussy, with its exotic color and quirky harmonies is well suited to performance on any number of different instruments. Japanese synthesizer wizard Tomita realized that the moog synthesizer, with its almost limitless palette of colors and sounds, would be ideal for Debussy's music. "Snowflakes Are Dancing" is Tomita's electronic vision of Debussy.
The moog synthesizer creates sounds that defy description. The synthesizer also has the ability to recreate the sounds of such traditional instruments as the harpsichord, organ, trumpet and strings. The synthesizer can mimic sound of the human voice. Tomita draws on all of these possibilities in his presentation of Debussy's music. Debussy favorites such as "Clair de lune" and "The Girl with the Flaxen Hair" take on a new life in Tomita's treatment. For example, the sound of the ocean, punctuated by the cries of seagulls provides the ideal stage for Tomita's treatment of "The Engulfed Cathedral." Tomita's eccentricity will keep listeners on their toes and the crystal clear sound quality will test their speakers. This is Debussy like you have never heard before; it is the stuff of fantasy ...
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Considering that Carla Bruni is an Italian tire-manufacturing heiress and a former Paris supermodel, it's a safe bet that she didn't cut this fine debut album for the money. That sense of nothing to prove imbues these songs with a catlike comfort that goes right from the ears into one's aching muscles and joints, past any language barrier (all songs are in French) or prejudice against supermodel musical talent. Bruni's singing voice is warm, sultry, and languid with a touch of rasp, as if she's just woken from a wonderful nap, and rumor has it she wrote, sang, and played acoustic guitar for all the tracks while barefoot. Louis Bertignac (Telephone) produced this album and plays electric lead guitar, both evoking mellow 1970s Eric Clapton (a former lover of Bruni's) and that era's folk-rock, particularly on "Tout Le Monde" and the liltingly sweet "La Ciel Dans Une Chambre." Other songs, ...
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