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Marcos Franca Um Cavaco No Frevo Songs | 1. | Evocação No 1 |
| 2. | Madeira Que Cupim Não Rói |
| 3. | Hino dos Batutas de São José |
| 4. | Elefante de Olinda |
| 5. | Hino da Pitombeira |
| 6. | Vassourinhas |
| 7. | Fogão |
| 8. | Cabelo de Fogo |
| 9. | Trombone de Prata |
| 10. | Voltei Recife |
| 11. | Oh! Bela |
| 12. | Frevo e Ciranda |
| 13. | Hino de Pernambuco |
| 14. | Spor uden navn 14 |
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Purchase Um Cavaco No Frevo CD To buy, Click on price to add to cart | Farmer M-Mylene Farmer-Avant Que Lorbre DVD (2005)
Um Cavaco No Frevo album
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LIVRO won the 2000 Latin Grammy Award for Best Musica Popular Brasileira Album and was nominated for Album Of The Year.
Sometimes called the Bob Dylan of Brazil, Caetano Veloso, along with Gilberto Gil and Os Mutantes, was one of the key figures of the late-'60s tropicalismo movement. He has been astonishingly prolific ever since. To compare him to another famous North American, only Neil Young can match Veloso's combination of output and high quality over the years.
His latest stateside ...
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Hip-Hop isn't all about violent city life and superficial pipe dreams. But newcomer, Hasan Salaam, knows that best. As emcees are forging a coup de grace, hip-hop is destined for change. But while some retreat and plot their escapes through disillusionment, in real life and on wax, Hasan Salaam aims to be at the forefront of the revolution. His commanding presence holds no punches as he relates to today's youth with honesty and fearlessness. Consequently, misguided portrayals of urban life and a lack of hip-hop with substance on the airwaves has birthed a new emcee.Attracted to hip-hop since the age of 10, the New Jersey native equates hip-hop to jazz. "I use words like an instrument," Hasan explains. "There's a build up in emotion and a climax you can feel." Smashing stereotypes and mediocre emcees, he delivers socially aware raps with an undeniable, bassy voice with grit. With his first independent release, Paradise Lost, Hasan asserts his message is one of total freedom despite hardship. How so?"I prefer not to deal with labels because then you put yourself in a box, dictating what people expect to hear," says 24 year-old Hasan. With versatility and consistency, he speaks in a way all walks of life can appreciate, addressing issues and emotions many emcees are scared to touch or can't articulate. Using music as a platform for positive social change, he has also performed all over the East Coast including nationally aired performances on NBC's "Showtime at the Apollo", FUSE TV's "Digital Downloads", MUN2 TV's "The Roof", Music Plus TV, and at the Anti-War Rally March on C-SPAN. Gaining exposure in the underground, Hasan eventually edged forward opening performances for the legendary Kool Herc, Afrika Bambaata, Curtis Blow, Wyclef, Naughty by Nature, Busta Rhymes, Black Moon, Floetry, Common, and dead prez. But don't call him a conscious rapper."My music is my therapy that allows me to confront various issues in life, oppression, relationships, and certain trials and tribulations I've experienced that I want to share with the world," Hasan says. "Not because I'm perfect but because I'm human." On conceptually driven tracks like "Fountain of Youth," Hasan displays his knack for storytelling while delving into societal issues. And on "Diaspora" and "Boom Bap" he etches his name and his purpose ...
| | Cold Fairyland Seeds On The Ground CD (2007) (Import)
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Since it’s inception in 2001 as a collaboration between Lindy and bass player Su Yong , Cold Fairyland has been on an incredible journey of exploration, experimentation, and musical growth. The new CD, “Seeds on the Ground”, is the latest step on that journey. Cold Fairyland does not make ordinary CDs, they are not merely collections of songs. Lindy creates entire worlds, distilled into music. The eleven songs of “Seeds on the Ground” form this type of world. It’s countryside is cruel and beautiful, filled with legend, rivers and forests, ghost towns and battlefields.Almost entirely acoustic, this album has a much more pastoral feel, a more organic sound, Gone are the soaring synthesizers of “Kingdom of Benevolent Strangers”, replaced with the delicate interplay of cello and pipa. It is as if the rustling of leaves and the whisper of the wind have substituted for the urban cry, Likewise, a serene inner strength has supplanted the power and fury of the live CD. One other divergence of note, unlike the prior primarily vocal albums, eight of these eleven tracks are instrumental.What has been carried forward on this incredible journey? The same outstanding musicianship of five talented players. The same blending of East and West (a touch more East, this time around). The complex rhythms and the effortless way in which the band handles them. And of course, Lindy’s song writing genius. There is a genuine depth to her writing that goes beyond ordinary talent. The songs seem to come alive in your ear,, telling heroic tales of triumph and failure, conjuring stunning imagery of fantastic scenes, bringing messages of hope and forlorn desperation. Some songs are so poignant, they seem not to be written at all, rather shed like tears. These are the type of songs that come unbidden to mind in the checkout line or the stop light. Not only the beautiful melodies, but the entire magical atmosphere. That is truly something special.The title track, “Seeds on the Ground” is a hopeful, relatively austere (by Cold Fairyland standards) folk song, highlighted by a charming a-cappella ending. ...
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