| | Marcos Franca Um Cavaco No Frevo CD - Import Marcos Franca Discography of CDs
Um Cavaco No Frevo Music | List Price | $15.99 (You save $1.54) | | Category | Brazilian Albums | | Label | Phantom | | CD Universe Part number | 7550075 | | Catalog number | 746889 | | Discs | 1 | | Release Date | Oct 23, 2007 |
Marcos Franca Um Cavaco No Frevo Songs | 1. | Evocação No 1 |
| 2. | Madeira Que Cupim Não Rói |
| 3. | Hino dos Batutas de São José |
| 4. | Elefante de Olinda |
| 5. | Hino da Pitombeira |
| 6. | Vassourinhas |
| 7. | Fogão |
| 8. | Cabelo de Fogo |
| 9. | Trombone de Prata |
| 10. | Voltei Recife |
| 11. | Oh! Bela |
| 12. | Frevo e Ciranda |
| 13. | Hino de Pernambuco |
| 14. | Spor uden navn 14 |
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Um Cavaco No Frevo Review
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Purchase Um Cavaco No Frevo CD To buy, Click on price to add to cart | Obrigado Brazil / Yo-Yo Ma CD (2003)
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"Merengue" was nominated for the 2005 Grammy Award for Best Instrumental Composition. "Libertango" was nominated for Best Instrumental Arrangement.
Personnel: Yo-Yo Ma (cello); Rosa Passos (vocals, guitar); Romero Lubambo (guitar, cavaquinho); Egberto Gismonti (guitar, flute, piano); Odair Assad, Sergio Assad (guitar); Paquito d'Rivera (clarinet); Helio Alves, ...
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Personnel: Césaria Évora (vocals); Ismaël Lô (vocals); Joao Pina "Kako" Alves (guitar, cavaquinho, background vocals); Fernando Andrade (piano, background vocals); Virgilio Julio "Gil" Duarte (bass instrument).
Three years after her Grammy-winning Voz d'Amor, Cape Verdean superstar Césaria Évora returned with her tenth album, Rogamar. Recorded in Mindelo, Sao Vicente, Évora's hometown, and Paris (Caetano Veloso arranger Jacques Morelenbaum added the strings in Rio de Janeiro), Rogamar is a lovely piece of work, with most of the 15 tracks written for her by ...
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Adapter: Eduardo Muszkat.
Liner Note Author: Anthony Weller.
Recording information: 1959.
Editor: Carla Borden.
Photographer: Luiz Novaes Bonfá.
Unknown Contributor Role: Pete Reiniger.
Solo in Rio 1959 stands as a classic in the massive Luiz Bonfa catalog. Originally issued on the Cook label -- named for its owner, famed audio engineer Emory Cook -- it remained a favorite of the guitarist's throughout his lifetime. The Emory Cook Collection is housed and managed by ...
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Hip-Hop isn't all about violent city life and superficial pipe dreams. But newcomer, Hasan Salaam, knows that best. As emcees are forging a coup de grace, hip-hop is destined for change. But while some retreat and plot their escapes through disillusionment, in real life and on wax, Hasan Salaam aims to be at the forefront of the revolution. His commanding presence holds no punches as he relates to today's youth with honesty and fearlessness. Consequently, misguided portrayals of urban life and a lack of hip-hop with substance on the airwaves has birthed a new emcee.Attracted to hip-hop since the age of 10, the New Jersey native equates hip-hop to jazz. "I use words like an instrument," Hasan explains. "There's a build up in emotion and a climax you can feel." Smashing stereotypes and mediocre emcees, he delivers socially aware raps with an undeniable, bassy voice with grit. With his first independent release, Paradise Lost, Hasan asserts his message is one of total freedom despite hardship. How so?"I prefer not to deal with labels because then you put yourself in a box, dictating what people expect to hear," says 24 year-old Hasan. With versatility and consistency, he speaks in a way all walks of life can appreciate, addressing issues and emotions many emcees are scared to touch or can't articulate. Using music as a platform for positive social change, he has also performed all over the East Coast including nationally aired performances on NBC's "Showtime at the Apollo", FUSE TV's "Digital Downloads", MUN2 TV's "The Roof", Music Plus TV, and at the Anti-War Rally March on C-SPAN. Gaining exposure in the underground, Hasan eventually edged forward opening performances for the legendary Kool Herc, Afrika Bambaata, Curtis Blow, Wyclef, Naughty by Nature, Busta Rhymes, Black Moon, Floetry, Common, and dead prez. But don't call him a conscious rapper."My music is my therapy that allows me to confront various issues in life, oppression, relationships, and certain trials and tribulations I've experienced that I want to share with the world," Hasan says. "Not because I'm perfect ...
| | Cold Fairyland Seeds On The Ground CD (2007) (Import)
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Since it’s inception in 2001 as a collaboration between LinDi and bass player Su Yong , Cold Fairyland has been on an incredible journey of exploration, experimentation, and musical growth. The new CD, “Seeds on the Groundâ€, is the latest step on that journey. Cold Fairyland does not make ordinary CDs, they are not merely collections of songs. Lindy creates entire worlds, distilled into music. The eleven songs of “Seeds on the Ground†form this type of world. It’s countryside is cruel and beautiful, filled with legend, rivers and forests, ghost towns and battlefields.Almost entirely acoustic, this album has a much more pastoral feel, a more organic sound, Gone are the soaring synthesizers of “Kingdom of Benevolent Strangersâ€, replaced with the delicate interplay of cello and pipa. It is as if the rustling of leaves and the whisper of the wind have substituted for the urban cry, Likewise, a serene inner strength has supplanted the power and fury of the live CD. One other divergence of note, unlike the prior primarily vocal albums, eight of these eleven tracks are instrumental.What has been carried forward on this incredible journey? The same outstanding musicianship of five talented players. The same blending of East and West (a touch more East, this time around). The complex rhythms and the effortless way in which the band handles them. And of course, LinDi’s song writing genius. There is a genuine depth to her writing that goes beyond ordinary talent. The songs seem to come alive in your ear,, telling heroic tales of triumph and failure, conjuring stunning imagery of fantastic scenes, bringing messages of hope and forlorn desperation. ...
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